New Release: A Path Less Trod by Black Cedar

Black Cedar - A Path Less Trod

A Path Less Trod by Black Cedar
Steve Lin (guitar), Kris Palmer (flute),
Isaac Pastor-Chermak (cello)

Label: That Other Label, 2016

Learn more or Buy: Black Cedar Discography

A Path Less Trod is Black Cedar’s debut album, compiling contemporary and folk music. It includes Durwynne Hsieh’s Miscellaneous Music, commissioned by Black Cedar in 2015: The first – Möbius Movement – is named after the famous Möbius strip, a geometric construct that has only one surface. Introverted Interlude is a slow, musical portrait of an introvert. Five Fun Facts, is a collage that incorporates disparate elements for the sole purpose of having a good time, including a turkey taking a ride down the front of the cello. Is there a deeper meaning here? “Nah, just want to have fun,” says Durwynne.

Nathan Kolosko’s Hungarian Trio (2012) infuses classical structures into traditional folk tunes with deeply mesmerizing guitar tones, foot stomps and hip sways, driving cello beats and guitar slaps, gypsy scales and ancient themes. “Kolosko’s piece is engaging, simply because he found a voice that would never be mistaken for either Kodály or Bartók but still gave a clear account of Hungarian folk roots.” (Stephen Smoliar).

Black Cedar’s 2014 commission, Of Emblems by Garrett Shatzer is also in the album, and they round out the collection with Klaus Hinrich Stahmer’s forgotten gem, Debussyana (1983). “Stahmer’s off-kilter approach to his source material suggested that this music had less to do with the faun and more with the nymph who had just spent the afternoon with him. We need more wit like this in the chamber music repertoire,” (San Francisco Examiner). Stephen Smoliar adds, “Debussyana is a delightful exercise in sly wit.”

With flutist Kris Palmer, guitarist Steve Lin, and cellist Isaac Pastor-Chermak, Black Cedar’s unique sonority of wood flute, guitar, and cello has earned praise throughout Northern California. “Black Cedar has done a wonderful job of making the case that chamber music can involve approaches to instrumentation not usually expected.” (San Francisco Examiner) And with nearly fifty appearances in their brief three-year existence, the trio has won awards and invites from the San Francisco Friends of Chamber Music, the Zellerbach Family Foundation, and the National Flute Association. “Hats off to them!” writes the Santa Cruz Sentinel. More information about the album and the trio can be found at Black Cedar.

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