The great Pavel Steidl on Interpreting Music & Segovia. Some nice opinions, he’s right, we need to, at the very least, understand Segovia and his editions before disregarding anything. At least for the works where Segovia worked with the composer and the piece was written for him.
Pavel Steidl on Interpreting Music & Segovia
Bradford Werner
Bradford Werner is a classical guitarist and music publisher from Victoria, British Columbia, Canada. He originally created this site for his students at the Victoria Conservatory of Music but now shares content worldwide. Curating guitar content helps students absorb the culture, musical ideas, and technique of the classical guitar. Bradford also has a YouTube channel with over 94,000 subscribers and 13 million views. He taught classical guitar at the Victoria Conservatory of Music for 16 years and freelanced in Greater Victoria for 20 years and now dedicates much of his time curating content online and helping connect the classical guitar community. See more at his personal website.
Yes. Mr. Steidl’s view is mature, clearly the result of both discipline and personal exploration. I particularly like his balance between his account of Andrés Segovia’s valid comment that the music was “written through (him)” and the then disciplined learner of that written music going off to explore, through intuition, his personal experience of the sound and both harmonic and melodic direction of the work, changing fingering perhaps (in my case, with short fingers, unable to reach some of master Segovia´s fingering).