Bradford Werner

Bradford Werner

Bradford Werner is a classical guitarist and publisher from Victoria, BC, Canada. He originally created this site for his students at the Victoria Conservatory of Music but now shares content with guitarists worldwide. Curating guitar content helps students absorb the culture, ideas, and technique of the classical guitar. Bradford also has a YouTube channel with over 100,000 subscribers and 14 million views. He taught classical guitar at the Victoria Conservatory for 16 years and has freelanced in Greater Victoria for 25 years. See more at his personal website.

Luthier Q&A: Interview with Marcus Dominelli

A big thank you to Marcus Dominelli for this great interview. Marcus is always willing to sit down and have a talk with me over some coffee and answer my many guitar questions. He’s a friendly guy and always very interested…

Ólavur Jakobsen performs Forever Gone

Faroese guitarist Ólavur Jakobsen performs Forever Gone by Óli Jógvansson. Conductor: Bernhardur Wilkinson – Orchestration: David Christiansen. Live from New Years Concert January 10th 2015 in The Nordic House, Tórshavn, Faroe Islands. Produced by The Faroese Broadcasting. Pretty piece but also check out Jakobsen’s more adventurous…

Bracing Styles for Classical Guitars

This is a guest post by luthier Marcus Dominelli, Victoria, BC, Canada. I’d like to discuss the basics of bracing used in classical guitar making. This article is intended for those who know little about how classical guitars are made;…

Kostas Tosidis Plays György Ligeti’s Cello Sonata

Greek guitarist Kostas Tosidis Plays György Ligeti’s (1923–2006) Cello Sonata arranged for guitar Kostas Tosidis. This sonata is part of the album “Unreal City” by Kostas Tosidis. You can read my review of the album here. Includes 5 sonatas by A.Ginastera, A. Ourkouzounov,…

Marcin Dylla Plays Complete Concierto de Aranjuez

Marcin Dylla plays the complete Concierto de Aranjuez with CORda Cracovia led by Daniel Stabrawa. For the students out there Spanish composer Joaquín Rodrigo’s (1901–1999) Concierto de Aranjuez is pretty much the most famous and most often played guitar concerto…ever.…

Seyoung Park Plays Tedesco

A follow up to the post of the other Youth winner Xu Kun Liu from a few days ago. Seyoung Park Plays Vivo ed energico from Sonata by Mario Castelnuovo-Tedesco (1895-1968). You can check out more videos from Seyoung Park…

Xu Kun Liu Plays Grand Solo by Sor

Xu Kun Liu plays Grand Solo by Fernando Sor (1778-1839). Congratulations to Liu on winning first prize (junior division) at the GFA International Youth Competition 2014 in Fullerton, Californi. You can learn more about Xu Kun Liu (Alan) via the…

Jérôme Ducharme plays Tedesco Op. 71

Canadian guitarist Jérôme Ducharme plays Variations à travers les siècles (Variations through Centuries), Op. 71 (1932) by Italian composer Mario Castelnuovo-Tedesco (1895–1968). Nice to hear this early work by Tedesco which I’ve never actually heard before. He wrote this one…

Drew Henderson Plays Capriccio #32 by Legnani

Canadian classical guitarist Drew Henderson plays Capriccio #32 in B-flat minor (Largo) by Luigi Legnani (1790–1877) via his YouTube Channel. Drew makes tons of videos for others but is a spectacular player himself. He’s demoing a guitar here: “Another video with…

Becoming your own teacher | Nina Fourie-Gouws

Classical Guitarist Nina Fourie-Gouws, based out of South Africa, has a new blog (with a great title!), check it out: p i m a DONNA | Classical Guitar Blog. Her first blog post is titled “Becoming your own teacher – Part…

Before & After Finishing: A Sound Comparison

Luthier Douglass Scott explores the sound of his guitars before and after applying French polish (Oil varnish back, sides & neck, French polish on soundboard). Read his notes and listen to samples here. To my ears it might sound a…

Hector Quine Obituary | Telegraph

Saw this nice article in the Telegraph about the passing of Hector Quine. Hector Quine, who has died aged 88, was a classical guitarist who helped to transform public attitudes to the instrument. He combined an understanding of its interpretative possibilities with…